猫几

PIY

这是PIY新的一次尝试，460个榫卯零件、70件家具置入15平方米的老胡同房子，打造出实用的客厅和书房空间，环保的材料和丰富的色彩给传统胡同带来不一样视觉的感受。为应对小空间的收纳需要，我们特意设计了一款满带着童年回忆的“俄罗斯方块”收纳墙，同时回应此次展览“共生”的主题。 This is a new try of PIY,  460 tenon parts and 70 pieces of furniture are placed in a 15 square meter old Hutong house to create a practical living room and study space. Environmentally friendly materials and rich colors bring different visual feelings to the traditional Hutong.  In order to meet with the storage requirements of small spaces, we deliberately design a "Tetris" storage wall with full of childhood memories, and also it is responded to the theme of "symbiosis" in the exhibition.

布丁沙发

PIY

这是PIY新的一次尝试，460个榫卯零件、70件家具置入15平方米的老胡同房子，打造出实用的客厅和书房空间，环保的材料和丰富的色彩给传统胡同带来不一样视觉的感受。为应对小空间的收纳需要，我们特意设计了一款满带着童年回忆的“俄罗斯方块”收纳墙，同时回应此次展览“共生”的主题。This is a new try of PIY,  460 tenon parts and 70 pieces of furniture are placed in a 15 square meter old Hutong house to create a practical living room and study space. Environmentally friendly materials and rich colors bring different visual feelings to the traditional Hutong.  In order to meet with the storage requirements of small spaces, we deliberately design a "Tetris" storage wall with full of childhood memories, and also it is responded to the theme of "symbiosis" in the exhibition.

起点椅、阿婆橱柜、森碟桌

吱音 | ZIINLIFE

作为大栅栏文化街区的原创设计品牌代表，吱音在此次展览中着眼于呈现代表着大众智慧的日常生活。以适合胡同居民生活现状的多功能家具为载体，吱音尝试通过对四合院房间内部的再设计，赋予其不同角度的可能性与创新性，从而更深地探索人与家具、社区与设计、传统与当代之间的关联融合和情感联结。 As the representative of the original design brand of the Dashilar Cultural District, Ziinlife focuses on presenting the daily life that represents the wisdom of the crowds. With the multi-functional furniture suitable for the living conditions of Hutong residents as the carrier, Ziinlife tries to give the furniture possibilities and innovations from different angles through the redesign of the interior of Siheyuan, so as to further explore the connection and integration and emotional bonding between people and furniture, community and design, tradition and the contemporary era.

树哲桌

吱音 | ZIINLIFE

作为大栅栏文化街区的原创设计品牌代表，吱音在此次展览中着眼于呈现代表着大众智慧的日常生活。以适合胡同居民生活现状的多功能家具为载体，吱音尝试通过对四合院房间内部的再设计，赋予其不同角度的可能性与创新性，从而更深地探索人与家具、社区与设计、传统与当代之间的关联融合和情感联结。 As the representative of the original design brand of the Dashilar Cultural District, Ziinlife focuses on presenting the daily life that represents the wisdom of the crowds. With the multi-functional furniture suitable for the living conditions of Hutong residents as the carrier, Ziinlife tries to give the furniture possibilities and innovations from different angles through the redesign of the interior of Siheyuan, so as to further explore the connection and integration and emotional bonding between people and furniture, community and design, tradition and the contemporary era. 

wave书架

厌式房间 | IIINSITU STUDIO

厌倦了林立高楼，厌倦了程式化的生活周遭，胡同长长短短、宽宽窄窄，兜兜转转来到四合院，飞檐斗拱，钩心斗角，翘望了三代又三代，踏进门，会有新鲜的木香，它们统统来自厌式房间，有一些新面孔，有一些是老朋友，正襟危坐，一丝不苟。你拿出你18世纪的老烟斗，准备点一袋昨天刚烘干研碎的上等烟叶，以应此情此景，盈盈如梦…… “嘿！不许吸烟！” Tired of tall buildings, tired of stylized life around. Passing through long or short, wide or narrow Hutong, walk around to Siheyuan. Cornices brackets, layered overhanging eaves, to which looking up by generations and generations. Stepping into the door, there will be fresh smell of the wood. All of them come from IIINSITU Studio. Some of them are new faces, some of them are old friends. Sitting solemnly, and meticulously. You take out your old pipe of the 18th century, prepare to light up a bag of fine tobacco that has just been dried and ground yesterday for such a moment, and it is just like in a dream. "Hey! No smoking!" 

毛毛虫沙发

厌式房间 | IIINSITU STUDIO

厌倦了林立高楼，厌倦了程式化的生活周遭，胡同长长短短、宽宽窄窄，兜兜转转来到四合院，飞檐斗拱，钩心斗角，翘望了三代又三代，踏进门，会有新鲜的木香，它们统统来自厌式房间，有一些新面孔，有一些是老朋友，正襟危坐，一丝不苟。你拿出你18世纪的老烟斗，准备点一袋昨天刚烘干研碎的上等烟叶，以应此情此景，盈盈如梦…… “嘿！不许吸烟！” Tired of tall buildings, tired of stylized life around. Passing through long or short, wide or narrow Hutong, walk around to Siheyuan. Cornices brackets, layered overhanging eaves, to which looking up by generations and generations. Stepping into the door, there will be fresh smell of the wood. All of them come from IIINSITU Studio. Some of them are new faces, some of them are old friends. Sitting solemnly, and meticulously. You take out your old pipe of the 18th century, prepare to light up a bag of fine tobacco that has just been dried and ground yesterday for such a moment, and it is just like in a dream. "Hey! No smoking!" 

十八纸

十八纸 | SHIBAZHI

十八纸将收纳放置不同类别的家居产品，体现空间层次感。  产品本身独特的可折叠结构，外观化繁为简，从本真出发，将收纳发挥到极致，使收纳不仅是物理上的位移过程，更是精神上的享受。  实现同一空间多种用途的构想，一扫视觉上的疲惫，品味空间的不同格调。 空间很小，梦想很大，十八纸为你演绎充满收纳艺术的家居空间。  SHIBAZHI reflects the layering of the space by placing different types of household products.  The product itself has a unique foldable structure, makes complex appearance simple, starts from the original, maximizes the storage, so that the storage is not only a physical displacement process, but also a spiritual enjoyment.  What we are doing is to realize the idea of multiple uses in the same space, sweep away the visual exhaustion and savor the different styles of the space.  The space is small, but the dream is big. SHIBAZHI is here for you to present a home space full of the art of storage.

十八纸 流彩

十八纸 | SHIBAZHI

十八纸将收纳放置不同类别的家居产品，体现空间层次感。 产品本身独特的可折叠结构，外观化繁为简，从本真出发，将收纳发挥到极致，使收纳不仅是物理上的位移过程，更是精神上的享受。 实现同一空间多种用途的构想，一扫视觉上的疲惫，品味空间的不同格调。 空间很小，梦想很大，十八纸为你演绎充满收纳艺术的家居空间。 SHIBAZHI reflects the layering of the space by placing different types of household products. The product itself has a unique foldable structure, makes complex appearance simple, starts from the original, maximizes the storage, so that the storage is not only a physical displacement process, but also a spiritual enjoyment. What we are doing is to realize the idea of multiple uses in the same space, sweep away the visual exhaustion and savor the different styles of the space. The space is small, but the dream is big. SHIBAZHI is here for you to present a home space full of the art of storage.

莳蓝系列·布艺可拆装家具

凡物 | FINEWOOD

凡物共三个空间。 凡物茶室，是一个前后通透的空间，用来品茶、展示木与树脂和蓝染家具等衍生品所用。径直走过茶室，是凡物手作区，观者在体验草木植染期间，考虑到氧化晾干的时间，客人们可到凡物茶室品茶，或转弯至另一家具空间游览。 此次展览，凡物将把传统手作与家具设计放在同处，打造一个有温度且清雅悠然的家居空间。 Finewood has altogether three spaces. Finewood Teahouse is a space that passes through the front and back, and is used for tea-tasting, and displaying derivatives such as wood and resin and blue dyed furniture. Walking straight through the Teahouse, it is the Finewood handmade area. During the period of experiencing the plant dyeing, considering the time of oxidation and drying, visitors can go to the Finewood Teahouse to enjoy tea or make a turn to visit another furniture space. In this exhibition, Finewood will put traditional handmade and furniture design in the same place to create a warm, elegant and leisurely home space.

清华大学美术学院

ACADEMY OF ARTS AND DESIGN OF TSINGHUA UNIVERSITY

清华大学美术学院于历战老师推荐了左思扬、李嘉艺、李婉莹三位同学的作品，推荐评语这样写道：家具设计不仅仅是其自身形态的设计，而首先是使用者行为方式的设计，使用方式的设计，其所处的空间关系的设计。三位同学在作品设计过程中首先进行了深入细致的观察、分析，在设计完成空间形态的基础上，提出了自己的家具应对方案，以解决在公共空间中的学习行为所产生的需求，整个研究过程完整、细致，呈现的内容全面、贴切。最终家具不但进行方案设计，并进行实物制作，在制作的过程中，体会设计概念转化成成品的完整过程，以真实成品接受检验。  Teacher Yu Lizhan from Academy of Arts and Design of Tsinghua University recommended the works of three students who are Zuo Siyang, Li Jiayi and Li Wanying, and wrote in the recommendation comments: Furniture design is not only the design of its own form, but firstly the design of the user's behavior pattern, the design of the way of use, and the design of its spatial relationship. In the process of designing the works, the three students first carried out in-depth and meticulous observation and analysis. On the basis of completing the design of the spatial form, they proposed their own furniture solutions to meet the needs generated by the learning behavior in the public space. The whole research process is complete and meticulous, and the content presented is comprehensive and relevant. In the end, they not only carried out the design of the furniture solutions, but also carried out the furniture production. In the process of production, the complete process of transforming the design concept into the finished product was realized. And the real finished product was inspected.

北京工业大学

BEIJING UNIVERSITY OF TECHNOLOGY

北京工业大学的杨玮娣老师推荐了鲍乌勒娜的作品：悠然。“户庭无尘杂，虚室有馀闲。久在樊笼里，复得返自然。”作品灵感来源于中国古代庭院。老师在推荐评语中写道：作品轻盈简约，可坐、可躺、可卧，学生全程参与每一环节，是一件用心设计并制作的作品。北京工业大学的孙大力老师推荐了黄文涛的作品：花瓣凳。老师在推荐评语中写道：参展的两件作品可以充分体现文涛同学在设计之路上的稳扎稳打，其在设计进入瓶颈期时，仍能努力坚持，不断思考，不断尝试，坚持不懈地用自己所学知识去探索新的突破点。 Teacher Yang Weidi from Beijing University of Technology recommended Bao Wulena's work: Leisureliness.There are no trivial and miscellaneous things from the mundane life inside the courtyard, and there is plenty of free time in the vacant room. Trapped in a cage for a long time, and now I finally can return to nature. The work was inspired by the ancient Chinese courtyard. The teacher wrote in the recommendation comments: The work is light and simple, and you can sit, lie and recline on it. The student participated in every step of the whole process. It is a work designed and produced with heart.Teacher Sun Dali from Beijing University of Technology recommended Huang Wentao's work: Petal Chair.The teacher wrote in the recommendation comments: The two works exhibited can fully reflect the steadiness of Student Wentao on the design road. When his design work ran into the bottleneck, he could still persist in his efforts, keep thinking, keep trying, and persistently use his knowledge to explore new breakthrough points.

北京林业大学

BEIJING FORESTRY UNIVERSITY

四合院的拆迁与改造已经成为时代的必然，北京胡同也伴随着社会文化的变迁展示出全新的魅力。胡同是个时空概念，老北京人也许还怀念着儿时小贩们在胡同间吆喝，街坊四邻串门“数板凳”拉家常，好不惬意的场景。何为胡同的传统文化，什么又是属于当下的胡同生活？我们该保留什么，又该摒弃什么？也许传统之美并不是要去刻意打造，而是自然孕育而生。北京林业大学家具设计系张帆老师推荐了四套学生作品，“半闲”茶家具、“倚竹”椅、“一枝一堂”茶几组合及“民艺的再造”躺椅分别来自孙珂、邓巧香、游茜及曾丹洲。这些作品的出发点不同，分别从生活体验、材料创新、功能适老、民艺再造四个角度重新思考新胡同文化下人与器物共生的可能，也展现出当下年轻人独特的设计语言、敏锐洞察和丰富创意。借由北京国际设计周的契机，分享给参观者，寄望与社会人士共同探讨设计唤醒传统、改变未来的意义。生活往前，每件事情发生都有意义，追问意义的过程，本身就有了意义。 The demolition and reconstruction of Siheyuan has become an inevitable demand of the times. Beijing Hutong has also shown a new charm with the changes of social culture. Hutong is a concept of time and space. The old Beijingers may still miss the hawkers' cry of their ware in the Hutongs, calling on neighbors and chitchatting in their childhood. What a pleasant scene! What is the traditional culture of Hutong, and what is the current Hutong life? What should we keep and what should we abandon? Perhaps the beauty of tradition is not to be deliberately created, but to be born naturally.Teacher Zhang Fan from the Department of Furniture Design of Beijing Forestry University recommended four student works: BAN XIAN-tea furniture, YI ZHU-chair, YI ZHI YI TANG-tea table set, and Re-creation of Folk Art-chaise longue which are respectively from Sun Ke, Deng Qiaoxiang, You Qian and Zeng Danzhou. These works have different starting points. They rethought the possibility of symbiosis between people and implements in the new Hutong culture from the four perspectives of life experience, material innovation, functions suitable for the aged and folk art re-creation. They have also shown the unique design language, keen insight and rich creativity of young people. They share it with visitors through the opportunity of Beijing International Design Week. We look forward to discuss with people of all social circles the significance of designing to awaken tradition and change the future. When life goes forward, everything happens meaningfully, and the process of asking for meaning has its own meaning.